Social Soundtrack

Community | Storytelling | Healing

  • About
  • Workshops & Events
    • Intermissions & Interludes
    • The Write In
    • A Resilient Tune
  • Resistance & Resilience
    • Resistance & Resilience Journal
    • Spring 2022
    • Archive
  • Resources
    • Resistance & Resilience Playlists
    • Social Soundtrack Playlists
    • The Write In Journal
  • Store
  • Contact

Coresa Hogan (left) and Ebony Archie (right). Photo by Danielle Smith.

How MEMFOLK Creates Spaces of Black Joy

October 14, 2020 by Resistance & Resilience in Interviews, Review

Written by: Phil Roberts

In the midst of a tumultuous year, there is a space for Black joy.

For most weekends this summer until mid-October, a pop-up retail project is where you could find MEMFOLK: an immersive experience brand that captures the ephemeral feeling of joy, and infuses it into a small space of about 125 square feet. Launched on June 26, 2020, they offer customers a place of rest for the mind, body, and soul. At the very least, it is a place where you can feel comfortable enough to be silly during stressful times.

Founded by Coresa Hogan and Ebony Archie in early 2020, the substance that MEMFOLK works with is Black folklore. Passed down through generations within families, and common among Black communities of many shades, it is often hidden from the mainstream. MEMFOLK takes these beautiful examples of Black culture, familial love, and expression, and creates inclusive immersive experiences for people of all cultures who feel excluded from mainstream spaces of creativity. “Though anyone will feel comfortable in our spaces, we make them so that they resonate with Black people,” says Hogan.

Filling the Void of Immersive Experiences for Black People

Both women are adopted Memphians. Archie arrived from Mississippi in 2011, and Hogan came to Memphis in 2012 from Alabama. They met through a part-time gig, and then helped each other with their personal blogs. They would regularly meet each other in Memphis’ creative scene at various events. The idea of starting MEMFOLK came in 2017 after they traveled to many U.S. cities the year before and found that there was something missing on the creative landscape.

“We didn’t see many immersive experiences that resonated with Blackness or the South, so we thought that it would be cool to create such spaces,” recalls Hogan. “Memphis is a very creative city so we knew we wanted to dive in here.”

There are generalizations about the differences between Blackness in the South compared to the North. When I asked Hogan how her and Archie’s upbringing in the South informs what MEMFOLK is, she talks about the importance of preserving history.

MEMFOLK @ BOXLOT. Photo by Danielle Smith.

“When our ancestors came here in slavery, there was a lot of erasure that went on. Folklore is a way to pass down that history,” she explains. “That’s why the word folk is in the name of the company.”

Next, they had to find a space for their new immersive experience. Hogan and Archie had a relationship with BOXLOT, a micro-retail and music lounge made from retrofitted shipping containers in Memphis’ Edge District. They presented a larger scale idea to them in February 2019, and reached out to them again later that year in December to pitch a smaller version of their brand experience concept. The smaller scale proposal was accepted, and that is how they got the space. “When we discussed MEMFOLK with BOXLOT, they wanted something that was going to bring some foot traffic to the place,” explains Hogan.

For new entrepreneurs in Memphis like MEMFOLK, BOXLOT provided it with an affordable pop-up space that can be used for temporary activations. It is less risky for entrepreneurs than signing a long-term commercial lease, and its hours of operations of Thursday to Sunday makes it convenient for business owners who may still be working full-time jobs.

A Space for Black Joy

Hogan and Archie chilling in the FLOWERBOX concept. Photo by Danielle Smith.

About every six weeks since in June, MEMFOLK launches a new concept. They have held three so far. Each concept takes something small or unattainable, and scales it up to something big. The first was FLOWERBOX, where visitors could walk inside a large flower box and feel grounded. It was a popular concept that created a lot of buzz in the community. They even held a marriage vow ceremony.

Marriage vow ceremony in the FLOWERBOX. Photo by MEMFOLK.

“When we started, we thought that it would be cool if someone got married in one of our spaces, but we thought this would be way down the road,” Hogan explains. “Then four weeks later this couple reached out to us to hold a marriage vow ceremony.”

The second concept was called SKYBOX, which was meant to make visitors feel like they were walking in the clouds. Guests were reminded to keep their heads up and elevate their minds. Finally, GIFTBOX is the concept which celebrates the one-year anniversary of BOXLOT, by looking like a giant gift.

The pandemic has meant that MEMFOLK can only have two customers in the space at a time, who spend between 15 and 20 minutes during regular visits. On Saturday mornings, they have private sessions for customers that can last 30 minutes to an hour. “Some customers bring their own photographers, but at the end of their visit, we can take polaroids of their experience for them to purchase.”

Elevate the mind in the SKYBOX. Photo by Danielle Smith.

A customer luxuriating in the GIFTBOX. Photo by MEMFOLK.

The concepts have attracted the attention of BOXLOT shoppers and people who want to celebrate their birthdays or other special moments in an uplifting space. Both Hogan and Archie have been surprised by the many ways that people have come up with to use the space. Beyond celebrations, people want to use it for their own businesses.

“Someone shot a music video in our space,” says Hogan. They also had a style & beauty blogger use it for a photoshoot. The connection to business makes sense to the women, because although MEMFOLK is about joy and creativity, it was built with business in mind, and art was layered in after the fact. This makes their work attractive to coffee shops, restaurants, and other hospitality companies that are looking to create authentic brand experiences for their customers to enjoy. These “Instagrammable” moments that can become marketing tools for businesses. “We have a mixture of clients,” says Hogan, “but we love supporting other Black businesses as well because we empathize with that journey of trying to scale.”

MEMFOLK partnered with Muggin Coffeehouse in Whitehaven, TN to create this curated wall in their café. Photo by MEMFOLK.

Black Creativity in Memphis and Beyond

MEMFOLK partners with local artists to help them create their concepts. Even though they are not experienced artists themselves, by tapping into the talent that is available in the city, they become an outlet for others to show what they can do to the community. “Memphis is a minority-majority city and there’s lots of Black people here who are doing really creative things,” says Hogan. When MEMFOLK wants to create special beats for their customers to listen to, they partner with sound engineers. When they need unimaginable imagery, they partner with digital artists.

“Slavery took a lot away from the Black mind, and there’s a lot of trauma that was passed down because of that, which lasts even today,” describes Hogan. “So any creative thought or output that Black people have now, is fighting against that.”

This month, MEMFOLK’s temporary activation at BOXLOT came to an end, but they have plans to turn their pop-up space into something with a fixed address. “Our goal is to find a permanent space eventually,” says Hogan, “but for now we want to expand to other cities in the south. We’re working on something for Atlanta.”

Joy in the SKYBOX. Photo by Danielle Smith.

In a year that feels like ten years in one, Black people are dealing with a pandemic, a storm of dispiriting news in terms of racial justice and equity, and a getting crazier by the hour political atmosphere. It all makes immersive experiences like what MEMFOLK offers all the more vital. A nice place of respite, and an experience that their customers never knew they needed.

“It’s really important to show that in spite of the solemnness of the times, that there can still be joy,” says Hogan. “When people visit our spaces, they often tell us: thank you for creating this!”


Read More:
‘Not Merely Fiction’: A Book Review of In Every Mirror She’s Black Through the Lens of Horror Noire
May 6, 2022
‘Not Merely Fiction’: A Book Review of In Every Mirror She’s Black Through the Lens of Horror Noire
May 6, 2022

M.A.S. Frimpong is a music curator; writer; and storyteller, influenced by the intersections of art, technology, identity, and memory. Frimpong’s fiction writing explores the human condition, specifically confusion, loneliness, joy, wonder, and pain; and non-fiction writing focuses on a personal, analytical take on visual culture (movies, film, animation) and books. Frimpong’s writing portfolio includes a self-promoted short story called “Pray for Rain” published on Medium and adapted into a short 3-D comic, “The Talk” which was published in OF ZOOS. Frimpong is based in the DMV area.

Read more →
May 6, 2022
How Alex Elle’s Book “After The Rain” Brightened My Days
November 17, 2020
How Alex Elle’s Book “After The Rain” Brightened My Days
November 17, 2020

Alex Elle is the author of multiple books, host of hey, girl podcast, wellness consultant, and instructor of writing retreats and workshops. And her latest book, After the Rain, explores obstacles, confidence, and abundance.

Read more →
November 17, 2020
The Unexpected Trauma of Lovecraft Country
October 31, 2020
The Unexpected Trauma of Lovecraft Country
October 31, 2020

Since magic belongs to us, we should rewrite how racism is presented on the big screen. Lovecraft Country is an HBO series created by Misha Green and inspired by Matt Ruff’s 2016 novel, of the same title.

Read more →
October 31, 2020
How MEMFOLK Creates Spaces of Black Joy
October 14, 2020
How MEMFOLK Creates Spaces of Black Joy
October 14, 2020

A Memphis-based immersive experience brand helping people enjoy life during trying times.

Read more →
October 14, 2020
Taking Up Space & the Cultural Impact of Black Music: An Interview with SiriusXM’s Dion Summers
October 12, 2020
Taking Up Space & the Cultural Impact of Black Music: An Interview with SiriusXM’s Dion Summers
October 12, 2020

I sat down (over Zoom of course) with Dion Summers, the Vice President of Urban Music Programming at SirusXM Radio. We talked history, the influence of Black culture on popular music, and his experience navigating the media/entertainment industry as a Black man.

Read more →
October 12, 2020
Black Women On the Record About Sexual Assault
September 22, 2020
Black Women On the Record About Sexual Assault
September 22, 2020

Telling the truth of our stories and experiences is a type of justice for Black survivors of sexual violence. Owning our narratives is a form of taking back power and having the freedom to heal.

Read more →
September 22, 2020
Why Gen Z Revolutionaries Need to Add Parliament-Funkadelic to Their Playlists
August 27, 2020
Why Gen Z Revolutionaries Need to Add Parliament-Funkadelic to Their Playlists
August 27, 2020

Black youth and young adults of Generation Z may have more in common with the Boomers we so eagerly make fun of than we realize. When comparing the socio-political climate of the 1960s-1970s to that of the current day, the parallels are almost uncanny.

Read more →
August 27, 2020
"Black Is King" and The Black Dollar
August 11, 2020
"Black Is King" and The Black Dollar
August 11, 2020

What happens if we recognize our own power and make wealth-building (and redistribution) top priority?

Read more →
August 11, 2020
A Hundred Years a Playhouse
July 31, 2020
A Hundred Years a Playhouse
July 31, 2020

Aseelah Shareef, of the historic Karamu House theater, discusses the importance of the arts in healing and amplifying the Black experience.

Read more →
July 31, 2020
Movies on the Margins: The Legacy of Black Independent Cinema
July 22, 2020
Movies on the Margins: The Legacy of Black Independent Cinema
July 22, 2020

Black people have been making movies since the early 1900s. Pushed out of white Hollywood, however, Black filmmakers went on to create their own production companies, work with their own resources, and tell the story of the Black experience in groundbreaking ways.

Read more →
July 22, 2020
October 14, 2020 /Resistance & Resilience
MEMFOLK, Memphis, Immersive Experience, Phil Roberts, Black Joy, creativity
Interviews, Review
  • Newer
  • Older

Powered by Squarespace